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2222

策展論述|
2222是一個遠眺人類紀元的座標,也是一種描述當代如何以個人經驗,意義化日常巧合的採樣。透過對應現實的精神處境,由外而內的將空間想像成櫥窗、客廳以及房間三種展示性的場域。除了以探討暗示性的角度,來摸索藝術家所建構的思想體系,作為回應種種現實切片的練習外,它亦為一段引言,一則描述著時代徵候的備忘。
 
1F櫥窗  探討人類物種與當前文明的依存關係。
2F客廳  透過生命經驗的轉譯,來勾勒暗號與暗示性的互文型態。
3F房間  以個人經驗作為日常測量的獨白
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Curatorial Statement | 
2222 marks the coordinates which allow us to look into an anthropocentric time. It also describes how day-to-day coincidences are rendered meaningful through contemporary personal experiences. Through spiritual situations corresponding to reality, gradually from the outside in, 2222 transforms the museum space into three sites of exhibition: “Window,” “Living Room,” and “Bedroom.” In addition to adopting the angle of secret signs to explore ideological systems constructed by artists, which resemble exercises to respond to different snippets of reality, the exhibition also serves as an introduction as well as a memo commenting on the symptoms of our time.  
 
1F Window –
Co-existence between humanity as a species and the contemporary civilization.
2F Sitting Room –
Mapping out forms of intertextuality between secret signs and implication through translating life experiences.
3F Room –
Personal experiences as monologues for measuring the everyday day.

策展人|黃彥穎
Curators | HUANG Yen-Ying

一段由藝術想像未來的旅程
一場與你約定的感知挑戰


媒體報導 Selected Media Clipping
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#Podcast【策展新鮮事】又親切又迷人!開幕就爆紅,嘉美館如何走入民眾日常?|Shopping Design

展覽期間 | 2022. 7. 16-10. 23
指導單位|文化部、嘉義市政府
主辦單位 | 嘉義市立美術館
執行單位 | 均勻製作
專案執行|張詠欣
影音燈光技術執行|賴信宇

參展藝術家 | 黃慧妍、張明耀、黃萱、何采柔、蘇育賢、
​賴志盛、陳敬元、江忠倫、李傑

視覺設計|李激娘
CF|陳詠佳
影像紀錄片|藍建庭
攝影
|
汪正翔


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